Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
showing search results for “carnival king of europe”
x
Region
“South-East Asia”
x
Keywords
“Labour”
x
Country of production
“Myanmar”
x
short films
1
Region
South-East Asia
1
x
Country
Myanmar
1
Keywords
Infrastructure / Transport
1
Labour
1
x
Material Culture
1
Directors
Lwin, Kyaw Myo
1
Series
Yangon Film School
1
Country of production
Myanmar
1
x
Year of production
2013
1
Film
Tyres
2013
30
‘
Directed by
Kyaw Myo Lwin
.
A recycling workshop in South Okkalapa in Myanmar’s former capital of Yangon is a place where discarded tyres are transformed from their original shape and use, and are re-purposed to new uses. Filmed almost entirely in black-and-white, this observational documentary gently explores a community of tyre cutters and recyclers. They are young and old, male and female, and they create buckets, brushes and slippers with their sharp blades, careful eyes and skilful strokes. From time to time, between movements, snatched conversation and song, something lyrical, even philosophical emerges, and we are gently reminded of how every death gives way to a birth.
South-East Asia
Material Culture
Labour
Infrastructure / Transport